@inbook{9f714b0c17b44671b3fef1024f83af10,
title = "Aesthetics between provocation and production: Counter-projects",
abstract = "In Brussels of the mid 1970s {\textquoteleft}counter-projects{\textquoteright} produced by students of La Cambre became a tool of resistance that resonated with the activism of the Atelier de Recherche et d{\textquoteright}Action Urbaines (ARAU) and the Archives d{\textquoteright}Architecture Moderne (AAM). These drawing-manifestoes simultaneously criticised existing proposals for urban development and offered alternatives. Isabelle Doucet revisits the less-known {\textquoteleft}first{\textquoteright} generation of counter-projects and illuminates how these architectural {\textquoteleft}reactions{\textquoteright}, while similar in method and aim, can differed greatly as projective gestures. They functioned as test-grounds for aesthetic articulation as much as for political provocation.",
author = "I. Doucet",
year = "2016",
language = "Multiple languages",
isbn = "97-8946-290-83103 ",
series = "OASE: Journal for Architecture",
publisher = "NAi Publishers",
number = "97",
pages = "91--98",
editor = "Tom Avermaete and {Van Gerrewey}, Christophe and Veronique Patteeuw",
booktitle = "Action and Reaction in Architecture",
}