Abstract
In an era of globalisation, landscape architects and urban designers have learnt to think big: large-scale plans with far-reaching visions, saving the planet and solving urgent global challenges. Usually, we try to solve these problems in the same way that we created them: with advanced and generic technological methods, and with significant investments. Yet this bigness is still largely the domain of international players, and its effects do not necessarily foster the quality of urban spaces. On the other end of the spectrum is the small realm of a terrarium, intriguing because of the contradiction between their otherworldliness and the representation they offer of the world as we know it. They share this quality with gardens, described by Michel Foucault as “the smallest fragment of the world and, at the same time, represents its totality, forming right from the remotest times a sort of felicitous and universal heterotopia”1. What if we learned to think small again? What do small gestures have to offer to reveal what is valuable and meaningful and to foster a novel understanding of the relation between humans and nature? How can they sharpen our view for the particular, identifying the places in the landscape in their structural, material, dynamic, practical, atmospheric, mnemonic, and discursive identities? [...]
Original language | English |
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Title of host publication | Terrarium. Earth Design |
Subtitle of host publication | Ecology, Architecture and Landscape |
Editors | Silvia Mundula, Kevin Santus, Sara Anna Sapone |
Place of Publication | Sesto San Giovanni |
Publisher | Mimesis edizioni |
Pages | 36-53 |
Number of pages | 18 |
ISBN (Print) | 9791222311593 |
Publication status | Published - 2024 |