Abstract
Program notes of (Western) classical music are usually written by musical experts. As a consequence, program notes information may not be very accessible to audiences which are less familiar with this music genre. To gain more insight in the way in which `uninitiated' audience perceives and describes symphonic concert performances, in this work, we describe the acquisition of a dataset of various forms of timeline commentary through crowdsourcing mechanisms. As we show, different audience categories use different vocabularies, and consider different anchors on the timeline to be important.
Original language | English |
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Title of host publication | 2016 IEEE International Conference on Multimedia Expo Workshops (ICMEW) |
Place of Publication | Piscataway, NJ |
Publisher | IEEE |
Pages | 1-6 |
Number of pages | 6 |
ISBN (Electronic) | 978-1-5090-1552-8 |
ISBN (Print) | 978-1-5090-1553-5 |
DOIs | |
Publication status | Published - 26 Sep 2016 |
Event | 2016 IEEE International Conference on Multimedia and Expo Workshops (ICMEW) - Seatlle, WA, United States Duration: 11 Jul 2016 → 15 Jul 2016 http://www.icme2016.org/ |
Conference
Conference | 2016 IEEE International Conference on Multimedia and Expo Workshops (ICMEW) |
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Abbreviated title | ICMEW |
Country/Territory | United States |
City | Seatlle, WA |
Period | 11/07/16 → 15/07/16 |
Internet address |
Keywords
- music
- concerts
- commentary
- tagging
- crowdsourcing
Fingerprint
Dive into the research topics of 'Crowdsourcing audience perspectives on classical music'. Together they form a unique fingerprint.Datasets
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Crowdsourced time commentary on an audiovisual recording of Beethoven's Eroica symphony
Liem, C. C. S. (Creator), TU Delft - 4TU.ResearchData, 15 Jul 2016
DOI: 10.4121/UUID:F1B505D9-71CC-4A68-835B-3B6FBFFC131B
Dataset/Software: Dataset