Abstract
Door voortdurende crises is Venezuela de afgelopen decennia veranderd. Historisch gezien een gastland, is het nu een van ‘s werelds grootste leveranciers van migranten, naast Syrië en Oekraïne. Veel van de kennis die naar Europa emigrerende Venezolaanse architecten hebben meegebracht, is in hun nieuwe professionele omgeving getransformeerd, gemodificeerd en gegroeid. Geïmporteerde ideeën manifesteren zich echter niet altijd even helder; ze zijn immers omgeven door een grote hoeveelheid culturele verschillen tussen twee realiteiten.
Constant crises have transformed Venezuela in recent decades. Historically a host country, it is now one of the world's largest suppliers of migrants, along with Syria and Ukraine. Much of the knowledge brought by Venezuelan architects emigrating to Europe has been transformed, modified and grown in their new professional environment. However, the manifestation of imported ideas is not always obvious amid the many cultural differences between the two realities.
Constant crises have transformed Venezuela in recent decades. Historically a host country, it is now one of the world's largest suppliers of migrants, along with Syria and Ukraine. Much of the knowledge brought by Venezuelan architects emigrating to Europe has been transformed, modified and grown in their new professional environment. However, the manifestation of imported ideas is not always obvious amid the many cultural differences between the two realities.
| Translated title of the contribution | Translating Practices: Cultural Interferences Between Europe and Venezuela |
|---|---|
| Original language | Dutch |
| Pages (from-to) | 100-107 |
| Number of pages | 8 |
| Journal | Oase: tijdschrift voor architectuur |
| Issue number | 115 |
| Publication status | Published - 2023 |
Bibliographical note
Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-careOtherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.