TY - JOUR
T1 - Why we like to touch
T2 - Consumers' tactile esthetic appreciation explained by a balanced combination of unity and variety in product designs
AU - Post, Ruben A.G.
AU - Blijlevens, Janneke
AU - Hekkert, Paul
AU - Saakes, Daniel
AU - Arango, Luis
PY - 2023
Y1 - 2023
N2 - Tactile experiences are a pivotal part of consumer behavior and choice. However, very little is known about why consumers esthetically appreciate touching products. The principle of Unity-in-Variety, stating that consumers like to perceive variety but only when this variety is presented as a coherent whole, has been shown to partly explain consumers' esthetic appreciation in the visual domain. We theorize that the psychological mechanisms underlying the esthetic principle of Unity-in-Variety are modality-independent, and therefore that this principle also applies to consumers' tactile esthetic appreciation. Across three studies, using existing products and novel 3D printed product designs systematically manipulated along the perceptual dimensions of unity and variety, we show that both unity and variety independently contribute to tactile esthetic appreciation. Furthermore, because unity and variety are inherently partial opposites, esthetic appreciation of products is highest when both unity and variety are simultaneously maximized.
AB - Tactile experiences are a pivotal part of consumer behavior and choice. However, very little is known about why consumers esthetically appreciate touching products. The principle of Unity-in-Variety, stating that consumers like to perceive variety but only when this variety is presented as a coherent whole, has been shown to partly explain consumers' esthetic appreciation in the visual domain. We theorize that the psychological mechanisms underlying the esthetic principle of Unity-in-Variety are modality-independent, and therefore that this principle also applies to consumers' tactile esthetic appreciation. Across three studies, using existing products and novel 3D printed product designs systematically manipulated along the perceptual dimensions of unity and variety, we show that both unity and variety independently contribute to tactile esthetic appreciation. Furthermore, because unity and variety are inherently partial opposites, esthetic appreciation of products is highest when both unity and variety are simultaneously maximized.
KW - esthetic appreciation
KW - Gestalt laws
KW - product design
KW - tactile perception
UR - http://www.scopus.com/inward/record.url?scp=85147583255&partnerID=8YFLogxK
U2 - 10.1002/mar.21798
DO - 10.1002/mar.21798
M3 - Article
AN - SCOPUS:85147583255
SN - 0742-6046
VL - 40
SP - 1249
EP - 1262
JO - Psychology and Marketing
JF - Psychology and Marketing
IS - 6
ER -